Tag Archives: Katherine Howell

October 14, 2011

It’s a wrap

Filed under: Events/appearances,Murderati blogs — Tags: , , , , , , , , , , , , , , , — PD Martin @ 12:14 am

SheKilda signOn the weekend I attended the ten-yearly (yup, not annual, not bi-annual but once a decade) SheKilda. It was actually the second ever SheKilda, to mark Sisters in Crime Australia’s 20th anniversary and the 10th anniversary of the first SheKilda. Happily, they are talking about maybe having another one in five years! I’m going to push for two years.

Anyway, having attended Bouchercon once, I was hoping that SheKilda would follow a similar format and, of course, be as wonderful and successful as the US convention. And I was NOT disappointed. It was an amazing weekend. A time for authors and readers to talk, exchange ideas and in the case of the authors complain that our partners don’t understand what we do and how tough it is.

One of the key differences between SheKilda and Bouchercon is that SheKilda was conceived and produced by Sisters in Crime and so all the authors were women. In terms of the audience, I’d say it was probably about 95% women too, but then again most crime readers are female.

The main difference between SheKilda and most of the other writing events I’ve attended (except Bouchercon) is that it was set up as a convention rather than a writers festival. The sessions and activities were centred almost entirely around the hotel venue (Rydges in Carlton, Melbourne). To my knowledge, this makes SheKilda the only one of its kind in Australia. They even served morning tea, lunch and afternoon tea in a common area near the venues, so we didn’t have to stray too far from the action or pound the pavement in the search of lunch.

SheKildaOpeningThe weekend kicked off with the Friday night gala opening. It was a chance for all the authors and attendees to mingle (with free champagne, red wine, white wine and beer – oh, and soft drinks too). There was also some extra yummy finger food! Then it was into one of the rooms for the official opening. MCed masterfully by Sue Turnbull (she’s an amazing interviewer and MC), it kicked off with a traditional welcome from Joy Murphy Wandin, who’s an elder of the Wurundjeri indigenous people. Then it was on to the entertaining (funny) City of Melbourne Councillor Ken Ong, then Mary Delahunty of Writing Australia and then the keynote address from Margie Orford, one of the three international guests for the convention. She gave a stunning speech about the setting for her novels and hometown (Cape Town). Apparently the murder rate there is so high that forensics will only be called if they think the murder might make the TV news. There have even been cases of people travelling to Cape Town to specifically arrange murder – hoping their victim will simply go into the massive pile of unsolved murder cases on some homicide cop’s desk. Margie’s police contact will often have 200 files on his desk.

Saturday kicked off with a joint session with all the international guests, Margie Orford, Shamini Flint and Vanda Symon. It was a great opening to the day’s events and was followed by Tara  Moss launching Scarlet Stiletto: The Second Cut, a collection of award-winning short stories by women crime writers.

For my other morning session, I attended Drawing the Line: Whatever!, which looked at how the line is drawn between a young adult novel and an adult novel. YA authors Marianne Delacourt, Karen Healey and Nansi Kunze were led by Alison Goodman. It seems violence was one key determiner, but sex was a more important one. For example, editorial notes removing the word “straddled” were discussed!

After lunch, I was on a panel with Narelle Harris, Marianne Delacourt, Alison Goodman and Kim Westwood, chaired by Tara Moss. The panel looked at bending the rules in terms of genre — mixing genres, moving genres, etc.

After my choc-chip cookie at afternoon tea it was time for my second panel of the day, Conquering the World: Heroes Abroad. This panel was chaired by Angela Savage and together with Lindy Cameron, Malla Nunn and LA Larkin we all explored setting our books overseas. Angela’s are set in Thailand, Lindy’s Redback is set in several locations, Malla’s are set in South Africa in the 1950s and Louisa’s first book is set in Zimbabwe and Australia and her second in Antarctica. And then of course mine are set in the US.

Davitt winnersSaturday night was the Davitt Awards, which were created to support Aussie female crime writers – who often seemed to be overlooked in our other crime awards. The winners that night were (from left to right):

Best true crime: Colleen Egan
Best YA crime fiction: Penny Matthews
Best fiction honourable mention: Leigh Redhead
Best fiction: Katherine Howell (who was my guest here in July)

There was also a reader’s choice award for fiction, which went to PM Newton (not in pic).

I kicked off Sunday morning with a panel called Brave New World: Or Death of the Book. As you can imagine, we spent the hour talking about ebooks in Australia and around the world. A recent stat for Australia is that the current $35million ebook market will increase to anything from $150 million to $700 million in the next three years. Big numbers!

After morning tea, I was an audience member for In the Face of Evil: Encounters with the Guilty, where true crime writers Rochelle Jackson, Robin Bowles and Ruth Wykes talked about their interviews and encounters with real-life crooks and murderers. And then I sat in on Them that Really Do it, which featured authors who used their past/present careers in their writing. Katherine Howell (ex-paramedic), YA Erskine (ex-cop), Helene Young (pilot), Kathryn Fox (ex-doctor) and PM Newton (ex-cop) were on the panel.

Manny Quinn1After lunch was Body in the Pool, which gave the SheKilda attendees an insight into how things would really happen if/when a dead body is found. The body had been on display by the pool all weekend and the experts included someone from police (actually our ex-assistant commissioner, Sandra Nicholson), a bug expert Mel Archer and a forensic pathologist. Timing (real versus that portrayed in crime fiction and crime TV) was also considered. At least 6-8 weeks for the entomology report and 10 weeks for the autopsy report.

It was an amazing, amazing weekend. A chance to talk to other authors, share stories (often complaining about how badly we’re paid!!) and expose ourselves to some great authors who are new to us. I kept my hand in my pocket over the weekend, but only because I’m sure Santa is bringing me a kindle for Christmas so I’ll wait and purchase the many fabulous books now on my ‘to buy’ list as ebooks!

What authors have you ‘found’ at a convention and then bought their books?

Comments (2)

August 16, 2011

Welcome Aussie author Katherine Howell

Filed under: Murderati blogs — Tags: , , , , — PD Martin @ 2:15 am

KatherineHowell2My Murderati blog from 21 July is an interview with fellow Aussie crime author, Katherine Howell. Katherine is an ex-paramedic turned author who uses her own expertise to create realistic characters and scenarios. So far, she’s won two Davitt Awards (Sisters in Crime Australia) and has recently hit the best seller lists here in Oz.

Her third novel, Cold Justice, has just been released in the UK. In Cold Justice, Detective Ella Marconi is on the trail of a cold case, an eighteen-year-old murder.

Katherine also has ties to other members of the Murderati gang, namely Tess Gerritsen – who had the following to say: “COLD JUSTICE races like a speeding ambulance, delivering so many surprises and thrills that you’ll scarcely have time to breathe. This was one of my favorite books of the year. Katherine Howell has written a real winner!” Katherine is delighted to be interviewing Tess in Melbourne at a Sisters in Crime dinner on Saturday 27 August. You can find out more at the Sisters in Crime website. I’ll be there :)

You use paramedics and police almost equally in your books. Can you tell us why you decided to do that?
I always wanted to write a crime series, partly because it’s what I love reading and partly because the idea of developing characters over a number of books really appealed to me. But I started the early drafts of Frantic with paramedic Sophie as the main character and no cop in sight! I felt I couldn’t write a cop point of view because I didn’t know the police world the same way that I knew paramedic life and worried about being able to portray it with convincing detail. I realised, though, that the story would be so much deeper and stronger if I could build the POV in, and also it was going to be a stretch to have a paramedic coming back in each book, especially if I was going to have her solve crimes! I needed to pull myself together and just do it. I have a number of cop friends who help with the facts of the job and draw on my own experience in being called as a paramedic to police stations and the cells and so on too.

And so Detective Ella Marconi was born. She’s about half of each book that I write. The stories involve one and sometimes two paramedics who get caught up in crime in varying ways—sometimes they’re called to a homicide scene, sometimes they find a body, sometimes they’re involved personally—then Ella is one of the investigators called in on the case.

What differences do you find writing a paramedic versus cop?
The main difference is their role in the story: Ella investigates and is fairly distanced emotionally, while the paramedics are caught up and drawn in and often are very emotionally involved. The way I write each point of view differs too: I’m very comfortable writing the paramedic scenes because of my years of experience there, but with the police scenes I’m continually questioning my detective friends over each little detail: what would the detectives say here? What would they do next?

ColdJusticeUKIs Cold Justice based on something that happened to you while you were working as a paramedic?
Paramedic Georgie in Cold Justice was viciously bullied at her previous station, and when I was writing the book there were many reports in the media about bullying cases in the ambulance service and their subsequent investigations. None of this was news to me or to paramedics I knew, however. The things that happen to Georgie are a combination of tweaked stories that I’d heard, made-up events, plus a few of my own experiences. The plot however is fictional. While I use some elements of particular cases that I did (such as a burns case in The Darkest Hour), none of the plots as a whole are based on anything I did.

Tell us a bit about your writing day and space.
I have an office at home and I write at the computer (though now and again I like to take a notebook and sit in the sun). I get in there about eight or nine but I write best in the afternoons so unless I have a looming deadline I tend to spend the morning dealing with emails and working on whatever author talks or workshops I have coming up, and uni research (I’m doing a PhD in writing at the moment too). I have a big corner desk currently covered in edit notes and reports. My window looks out onto the garden, and in the co-worker department I have a big, fat, long-haired cat who sleeps in her bed on my desk and a Chihuahua pup who sleeps in a blanket on my lap. Lazy girls.

Thanks to Katherine for being my guest today!

Comments Off