Tag Archives: Lindy Cameron

March 12, 2013

Guest blogger – Lindy Cameron

Filed under: Murderati blogs,Writing — Tags: , , — PD Martin @ 3:55 pm

Today I’d like to welcome fellow Aussie author Lindy Cameron to my blog. I met Lindy through the fantastic Victorian chapter of Sisters in Crime. A great woman who’s moved from author to author/publisher I thought it would be interesting to hear her story. Why did she start her own publishing company?  Over to Lindy…

The Segue, by Lindy Cameron 

There are many things in the life of this author that try my patience. And the fact that I can actually do that, to myself, is somewhat ridiculous.

I am the Queen of Procrastination. And I say that like I am the only author who can say that, which is also ridiculous, because all writers mainline Avoidance like it’s a drug.

In fact, if you don’t find everything else to do but write, then you’re not really a writer.

Got a book deadline? Time to try out a new laksa recipe. Hmm, might have to wait until the zucchinis finish growing. Write another chapter while the stock is doing its thing – done. Oh look – the dog wants to go out; come back in; go out; eat the kitty litter. Finish chapter 10. Clean up the shredded six-pack of toilet paper. Start Chapter 11. Do a load of washing. Rewrite Chapter 11. Research just how that particular bullet will react with that metal after it’s gone through Bad Guy No 4.  Oh look – that Facebook meme about how to write is hilarious. No I really, really don’t want to change my power company, young man. Just because I answered the front door because, yes, I am AT home doesn’t mean I’m not working AT home. I’m a writer – damn it!

It is totally beyond me how I’ve managed to write five crime novels and co-write two true crime books, plus blah-blah-blah, in the last decade or so. And that always seems like a lot, until I realise I know some authors – like actually know them – who write one or two (egad!) crime novels a year.

And then I remember my biggest, weirdest and – as many people (including my partner and me) have suggested – craziest avoidance technique of all.

I started a publishing company.

I did this (in 2010) for a number of reasons. Mostly because I realised I had all the necessary skills to do something so utterly wackadoo – and in the middle of what everyone else was calling the GFC (whatever the hell that was).

I did it because I discovered there were two or 20 authors out there – apart from me – who were a little dissatisfied (understatement much?) with the Way of Big Publishers.

I also did it because I was lucky enough to snaffle some of those very same authors. Yes, I talked them into my fold, enticed them into my web, convinced them I wasn’t a complete loon, and welcomed them into my Clan.

I managed this, in some cases, because I wanted to publish certain books – by those established authors, I mean – that their existing Big Publisher didn’t want to touch because they might confuse the author’s existing readership.

[Ooh, can’t possibly ruin our crime writer’s rep by letting them go all paranormal, or write a historical novel, or something with a pirate in it!]

As an Independent Publisher, I also set about finding new Australian crime and thriller writers; publishing the back lists of existing thriller writers; republishing out-of-print crime and historical fiction; mentoring debut authors; and seeking out sf, f, duf, h, c, tc, and all the other fabulous letters that go with being a ‘capital G’ Genre publisher.

Crime and thrillers are my first love – they are what I write, after all; when I do write, I mean; you know, when I’m not publishing; really, you need to go out again? Get off the cat! What?…

But in the third year of my little company, Clan Destine Press, I’ve also discovered I needed to add r, rr & e (romance, rural romance & erotica) to the list. 

Why?

Because I can!

And there are also ‘trends’ which, as a publisher, one needs to be aware of.

One of the joys of being an Independent Publisher in the 21st Century is that we are not confined to paper.

Most of our books are paperbacks; but they are also eBooks.

And this year, more and more of our books will be eBooks first – to test the waters, to launch new careers, to get more voices out there sooner, to bring the world more fantasy, spec fic, science fiction, erotic adventures, historical fiction, and best of all: more crime and thrillers and thrilling crime and…

Now Chapter 12, where was I?

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October 14, 2011

It’s a wrap

Filed under: Events/appearances,Murderati blogs — Tags: , , , , , , , , , , , , , , , — PD Martin @ 12:14 am

SheKilda signOn the weekend I attended the ten-yearly (yup, not annual, not bi-annual but once a decade) SheKilda. It was actually the second ever SheKilda, to mark Sisters in Crime Australia’s 20th anniversary and the 10th anniversary of the first SheKilda. Happily, they are talking about maybe having another one in five years! I’m going to push for two years.

Anyway, having attended Bouchercon once, I was hoping that SheKilda would follow a similar format and, of course, be as wonderful and successful as the US convention. And I was NOT disappointed. It was an amazing weekend. A time for authors and readers to talk, exchange ideas and in the case of the authors complain that our partners don’t understand what we do and how tough it is.

One of the key differences between SheKilda and Bouchercon is that SheKilda was conceived and produced by Sisters in Crime and so all the authors were women. In terms of the audience, I’d say it was probably about 95% women too, but then again most crime readers are female.

The main difference between SheKilda and most of the other writing events I’ve attended (except Bouchercon) is that it was set up as a convention rather than a writers festival. The sessions and activities were centred almost entirely around the hotel venue (Rydges in Carlton, Melbourne). To my knowledge, this makes SheKilda the only one of its kind in Australia. They even served morning tea, lunch and afternoon tea in a common area near the venues, so we didn’t have to stray too far from the action or pound the pavement in the search of lunch.

SheKildaOpeningThe weekend kicked off with the Friday night gala opening. It was a chance for all the authors and attendees to mingle (with free champagne, red wine, white wine and beer – oh, and soft drinks too). There was also some extra yummy finger food! Then it was into one of the rooms for the official opening. MCed masterfully by Sue Turnbull (she’s an amazing interviewer and MC), it kicked off with a traditional welcome from Joy Murphy Wandin, who’s an elder of the Wurundjeri indigenous people. Then it was on to the entertaining (funny) City of Melbourne Councillor Ken Ong, then Mary Delahunty of Writing Australia and then the keynote address from Margie Orford, one of the three international guests for the convention. She gave a stunning speech about the setting for her novels and hometown (Cape Town). Apparently the murder rate there is so high that forensics will only be called if they think the murder might make the TV news. There have even been cases of people travelling to Cape Town to specifically arrange murder – hoping their victim will simply go into the massive pile of unsolved murder cases on some homicide cop’s desk. Margie’s police contact will often have 200 files on his desk.

Saturday kicked off with a joint session with all the international guests, Margie Orford, Shamini Flint and Vanda Symon. It was a great opening to the day’s events and was followed by Tara  Moss launching Scarlet Stiletto: The Second Cut, a collection of award-winning short stories by women crime writers.

For my other morning session, I attended Drawing the Line: Whatever!, which looked at how the line is drawn between a young adult novel and an adult novel. YA authors Marianne Delacourt, Karen Healey and Nansi Kunze were led by Alison Goodman. It seems violence was one key determiner, but sex was a more important one. For example, editorial notes removing the word “straddled” were discussed!

After lunch, I was on a panel with Narelle Harris, Marianne Delacourt, Alison Goodman and Kim Westwood, chaired by Tara Moss. The panel looked at bending the rules in terms of genre — mixing genres, moving genres, etc.

After my choc-chip cookie at afternoon tea it was time for my second panel of the day, Conquering the World: Heroes Abroad. This panel was chaired by Angela Savage and together with Lindy Cameron, Malla Nunn and LA Larkin we all explored setting our books overseas. Angela’s are set in Thailand, Lindy’s Redback is set in several locations, Malla’s are set in South Africa in the 1950s and Louisa’s first book is set in Zimbabwe and Australia and her second in Antarctica. And then of course mine are set in the US.

Davitt winnersSaturday night was the Davitt Awards, which were created to support Aussie female crime writers – who often seemed to be overlooked in our other crime awards. The winners that night were (from left to right):

Best true crime: Colleen Egan
Best YA crime fiction: Penny Matthews
Best fiction honourable mention: Leigh Redhead
Best fiction: Katherine Howell (who was my guest here in July)

There was also a reader’s choice award for fiction, which went to PM Newton (not in pic).

I kicked off Sunday morning with a panel called Brave New World: Or Death of the Book. As you can imagine, we spent the hour talking about ebooks in Australia and around the world. A recent stat for Australia is that the current $35million ebook market will increase to anything from $150 million to $700 million in the next three years. Big numbers!

After morning tea, I was an audience member for In the Face of Evil: Encounters with the Guilty, where true crime writers Rochelle Jackson, Robin Bowles and Ruth Wykes talked about their interviews and encounters with real-life crooks and murderers. And then I sat in on Them that Really Do it, which featured authors who used their past/present careers in their writing. Katherine Howell (ex-paramedic), YA Erskine (ex-cop), Helene Young (pilot), Kathryn Fox (ex-doctor) and PM Newton (ex-cop) were on the panel.

Manny Quinn1After lunch was Body in the Pool, which gave the SheKilda attendees an insight into how things would really happen if/when a dead body is found. The body had been on display by the pool all weekend and the experts included someone from police (actually our ex-assistant commissioner, Sandra Nicholson), a bug expert Mel Archer and a forensic pathologist. Timing (real versus that portrayed in crime fiction and crime TV) was also considered. At least 6-8 weeks for the entomology report and 10 weeks for the autopsy report.

It was an amazing, amazing weekend. A chance to talk to other authors, share stories (often complaining about how badly we’re paid!!) and expose ourselves to some great authors who are new to us. I kept my hand in my pocket over the weekend, but only because I’m sure Santa is bringing me a kindle for Christmas so I’ll wait and purchase the many fabulous books now on my ‘to buy’ list as ebooks!

What authors have you ‘found’ at a convention and then bought their books?

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