Category Archives: Getting published

March 29, 2012

Never look back

Filed under: Getting published,Murderati blogs,Writing — PD Martin @ 12:49 am

CB033842“Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.” Buddha

I love this notion of living in the present (well, in theory at least). And I even think the notion of looking forward is infinitely better than dwelling in the past. What ifs, questioning your decisions…it’s never a good idea. We all know the past can be a road to heartbreak. Right? But still, sometimes it’s hard not to wonder how things may have turned out with different options or different choices during key moments in our lives. How would the different trajectory look? I adore the movie Sliding Doors for its core concept of playing out two different paths. Although I can’t remember how it ended. Did the two paths converge?

And I guess when it comes to our personal lives, I’m also a believer of dealing with the past (and perhaps it can be a fine line between dwelling in the past and thinking about it enough to move forward).

As for living in the present…well, I can’t seem to get the balance right on that one either. I’m constantly looking forward — making plans, setting goals. It’s part of who I am. And while it’s easy to say that in an ideal world we’d all live in the present, that world would actually look pretty grim. No one thinking or worrying about consequences? No one planning forward at a personal, national or global level in terms of money, resources, environment, strategy? Scary, as hell if you ask me.

I guess the key at a personal level, is not to worry about the future so much that you miss out on the present.

Recently, I’ve been questioning whether it’s a good idea to apply the notion of “never look back” to our creative lives. Yes, I have a vested interest in this. As I mentioned in my last blog, part of my 2012 strategy (yes, looking forward) involves taking a trip down memory lane and pulling out some of those earlier manuscripts that never quite made it into print. Is there enough of a spark for resurrection? I mean, everything’s a draft, right?

Like many authors, I also teach writing. And in the past I’ve always told my students that their first manuscript(s) — one, two, three, or maybe even more — are learning experiences. Ones for that top drawer that will most likely never see the light of day.

Still, I think back to my road to publication and there was at least one manuscript for which I found it hard to take no for an answer. In fact, many publishers also found it hard to say no. This particular young adult manuscript went through the very many levels of an unsolicited manuscript at the four top publishers here in Australia. This little book got through the readers, through the junior editors, right up to the acquisitions editors only to be booted out the door at an acquisition meeting. The dreaded vote. Of course, it’s all behind closed doors so I have no idea in each case who vetoed my book — marketing, sales, management? And I’ll never know.

But with the whole ebook thing (remember, I’ve been a bit of a dumb ass with this) it made me wonder whether this book could be resurrected. Since I last worked on my three YA novels (which I wrote between 1997-2002) I’ve learned a huge amount about the writing craft. And I’ve written another seven books. So what would that experience bring to my earlier novel(s)?

Well, that’s exactly what I’ve been doing the past three weeks. Digging out “the one that got away”. And with fresh eyes (it has been nearly ten years, after all) I could see the novel’s strengths and weaknesses, but more importantly I knew a few editorial passes would address the weaknesses.

Alexander Graham Bell said:  “When one door closes another door opens; but we so often look so long and so regretfully upon the closed door, that we do not see the ones which open for us.”

But what if closed doors sometimes open for us, once more? That’s where I’m heading at the moment. Back to my earlier manuscripts and a new pen name, Pippa Dee.

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March 16, 2012

Get ready, cause here I come

Filed under: Getting published,Murderati blogs,Writing — PD Martin @ 1:01 am

In some ways I was quick getting on board the whole self-published ebook phenomenon but in other ways I’ve been a slow, dumb-ass! By the way, I’d never really heard the term dumb ass until I watched That 70s Show. Love it!

You may remember that in the Australian summer holidays (January) I was away for quite some time and didn’t get much writing done. However, what I did do was a 2012 plan. I spent years working as a corporate writer and sometimes I think it’s extremely useful to bring some of the corporate tools to the creative world. One such thing is project planning (I have project plans with word targets and completion dates for pretty much everything I work on) and another thing that’s useful is a twelve-month strategy.

ComingHome10percentAnyway, the main realization from my strategy planning was that I needed to get on to the ebook bandwagon properly. I say properly, because in 2009/2010 I wrote a Sophie Anderson novella (Coming Home, the sixth book in the series) online. Literally online. Each week I’d write a chapter and then post a few multiple-choice questions for my readers to have a say in the direction of the book for the next chapter/week. It was a scary and exciting time. Scary because I didn’t know exactly what I’d write next and exciting because it was such a different way of writing and I felt like a pioneer. Once I was finished I organised cover art, got the book edited and posted it online as a free download. It was on my website (and nowhere else – big dumb ass!) for nearly a year before I became more aware of the whole self-published ebook revolution and got it up on Amazon and Smashwords for $2.99. Sales were modest, but there were sales without ANY publicity.

So, back to my New Year strategy planning. One of the key outcomes of my 2012 strategy is to get my (dumb)ass into gear with the ebook thing. First stop: Sophie. I’ve never been into short stories much, but in 2006 I was asked to write a Sophie Anderson short story for a magazine called Australian Women’s Weekly (it’s actually now published monthly, but they decided in the 1980s not to change it to Australian Women’s Monthly – for obvious reasons, I suspect). Anyway, I wrote a story called Missing and submitted it to my publicist and Aussie editor. However, I was concerned that the gist of it (child abduction) might not be appropriate for the magazine, plus it was set in Melbourne, before Sophie went to the FBI and wasn’t exactly indicative of a Sophie book. My hunch was right and I started from scratch, writing a story about a missing girl but with a very different tone and set after Body Count and in Washington DC. For that story, I had two different endings and after a discussion with my publishers we chose an ending and submitted it. The Weekly loved it and it appeared in the March 2006 edition.

TheMissing10percentSo, these two stories had been sitting on my C drive for six years!!!! Why not do something with them? I gave them another round of editing, put them into Scrivener so I could output directly into an ebook, and paid a designer to create a cover. Last week, The Missing went up on Amazon, priced at 0.99! And just for fun, I included the alternate ending for the story set in DC.

Also sitting on my C drive were two true crime pieces that I wrote for a collection called Meaner than Fiction. I was asked to contribute to this collection and when I went looking for Aussie stories that I could get an ‘in’ to (e.g. could interview someone first hand) the two stories that came my way were actually stories of wrongful conviction. The first was about Andrew Mallard, a West Australian man with mental health issues who was charged with murder. The second story was about wrongful conviction in general, and I interviewed the director of one of Australia’s Innocence Projects. Again, fascinating stuff.

WhenJusticeFails10percentSo, during my strategy session in January it occurred to me that I could package these two stories together as well. Last week, When Justice Fails, also went up on Amazon – also for 0.99.

So, stages 1 & 2 of my ebook strategy have been ticked off. Go me!

The next step in my ebook strategy rests on the idea that, like many writers, I have a draw full of finished but unpublished novels. Some of these should, and will, stay in my draw and archived on my computer. But there are others that I still believe in, including:

  1. the first book in a young adult trilogy; and
  2. a spy thriller I finished around this time last year but didn’t have any luck selling (apparently the spy thriller market is hard to break in to at the moment).

So, over the coming months you’ll be hearing about one more PD Martin self-published ebook, Hell Hath No Fury and the start of my YA ebook strategy (and the birth of a new pen name, Pippa Dee).

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December 22, 2011

Amazon as publishers

Filed under: Getting published,Murderati blogs — Tags: , — PD Martin @ 3:33 am

This was a blog I posted on Murderati for my turn at our “Wildcard Tuesday”.

Books and treeAmazon moved into the publishing realm (sort of) in 2009 with AmazonEncore, a program where Amazon selected self-published titles they felt deserved greater attention and marketed them as AmazonEncore editions. In 2010, the imprint moved into a more traditional role, publishing original manuscripts (some selected via the Amazon Breakthrough Novel award and some via agent submissions). Also in 2010 came Amazon Crossing, an imprint that publishes English-language versions of foreign language books.

However it was in 2011 that Amazon really launched itself as a publishing ‘house’ (as distinct from its offering to authors who can self-publish on Kindle).

In 2011, three new imprints launched from Amazon’s Seattle office:

  • Montlake Romance (romance imprint; launched in April)
  • Thomas & Mercer (mystery/thriller imprint; launched in May)
  • 47North (science fiction, fantasy and horror imprint; launched in October)

Then in May this year, Amazon set up its New York-based imprint, appointing Laurence J Kirshbaum at its helm and focusing on non-fiction and some literary fiction. The imprint made its first acquisition in August, withTimothy Ferriss’ self-help book The Four-Hour Chef (for publication in 2012).

Amazon’s most recent foray into publishing came earlier this month, when the company moved into the children’s publishing book market through its purchase of Marshall Cavendish Children’s Books. The trade publishing list includes over 450 children’s books and the deal was made via Larry Kirshbaum’s publishing unit. One can only assume that acquisitions will follow.

Certainly there’s no arguing that Amazon has been a powerhouse since it launched amazon.com in 1995. As a retail player, it’s revolutionalised the book buying and selling business and of course Kindle has changed the way we read books — forever. And is it even necessary to mention what Kindle and ebooks have done for an author’s ability to self-publish?

So, has Amazon brought its transformation skills into the more traditional publishing sphere? Will its move into traditional publishing be a Midas touch for authors or the kiss of death? I believe that Amazon still requires ebook exclusivity – so an author’s book is only available online via Kindle. Will this change? As an author, I hope Amazon’s new imprints bring a new opportunity — there’s a new publisher in town, another publishing ‘house’ that agents can approach. At least, I hope that’s how it will turn out. But often when it comes to things like this, I lack insight :)

What do you think? And will other book retailers following Amazon’s footsteps?

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March 22, 2011

Is the book world going mad…or moving with the times?

Filed under: Getting published,Writing — Tags: , , , , — PD Martin @ 8:50 am

Everything seems to be changing in the book world. Of course, ebooks aren’t new. In fact, for a few years now people have been predicting that print books will become obsolete as the new medium for story-telling takes over – ebooks/e-readers. And yet, it hasn’t quite happened.

So what is the current status of ebooks? For this blog I went searching for some stats. Unfortunately Aussie stats seemed harder to come by*, but The Association of American Publishers said that ebook sales from January 2010 to January 2011 had increased by 115.8%, from $32.4 million to $69.9 million. If my book sales (ebook or print) went up by 115.8% I’d be pretty damned happy!

Of course, no ONE person benefits from the massive increase, although there have been many success stories hitting the news. Amanda Hocking is one. According to Novelr, Amanda Hocking sells 100,000+ copies of her nine self-published ebooks per month.

Then there’s J.A. Konrath, who in the past has combined traditional print sales with self-publishing to make a living as a novelist. However, in a December 2010 blog, Konrath said he’d changed his mind about the need to be published by one of the big publishing houses and was recommending self-publishing all the way. It was also as his ebook sales hit 1,000 a day!

And this week, there was another attention-getting headline: American author Barry Eisler turned down a $500,000 advance for two books (sounds even more dramatic when you say half a million), opting to self-publish instead. In an interview with the one and only JA Konrath, Eisler said: “I know it’ll seem crazy to a lot of people, but based on what’s happening in the industry, and based on the kind of experience writers…are having in self-publishing, I think I can do better in the long term on my own.”  You can read the full interview for more information.

My main concern with self-publishing (whether it’s a print book or an ebook) is an editorial one. I recently picked up a book (print) and was only about ten pages in when the major point of view (POV) problems annoyed me to the point where I put the book down. I very, very rarely put a book aside, but in this case I couldn’t continue reading. It was simply “wrong” — confusing omniscient POV with third person POV and switching within a paragraph and sometimes even within a sentence. At this point I wondered who (publisher) had published a novel with such major problems…and that’s when I realised it was a self-published book. If the author did get the book edited, it was probably by a friend rather than a qualified editor. J.A Konrath, who is known as a bit of a guru in self-publishing and ebooks, talks about the importance of paying for a good cover design and formatting. I’d add the need to pay a good editor, particularly for authors who haven’t been published before. To put it in context, I’m a published author with five published novels behind me…and when I wrote an ebook in 2009/2010, I paid a professional editor.  I’m not naive or conceited enough to think my prose is perfect! By the way, Coming Home is only available as a FREE book until 31 March. I’m inspired enough by these stories that I’ve decided to sell it on Amazon and Smashwords for US$2.99 instead of giving it away! So if you haven’t downloaded it yet, pop by my website in the next 9 days.

Where to from here?

It’s hard to say if ebook sales will again jump by 115% or similar from January 2011 to January 2012, but ebook sales certainly seems to be in an upward trend. And it’s a trend that’s leaving traditional publishers (and agents for that matter) in a bit of a spin. Since hearing of Barry Eisler’s news a couple of days ago, I can’t help but wonder what his agent and publisher are saying! The publisher has lost two new novels, obviously expected to sell well if they were willing to offer such a large advance, and the agent has lost his 15%.

*Note: By harder to come by, I mean I didn’t want to PAY for the information (I’m frugal/cheap) and I didn’t want to spend hours looking (I’m lazy/time-poor).

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